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Doran What is provocative about such moments is not that they elicit a transparent identification or understanding of the see-saw dialectics of other and self but soahr that they work towards creating a field of communication. What evidence do we have of readers being unable to make such an interpretative move? Just as a Henry James novel demands a different sort of attention than a piece by Gertrude Stein, so a Ron Silliman new sentence requires a very different sort of attention than a Susan Howe page. And for sure, sometimes it is not.

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Doran What is provocative about such moments is not that they elicit a transparent identification or understanding of the see-saw dialectics of other and self but soahr that they work towards creating a field of communication.

What evidence do we have of readers being unable to make such an interpretative move? Just as a Henry James novel demands a different sort of attention than a piece by Gertrude Stein, so a Ron Silliman new sentence requires a very different sort of attention than a Susan Howe page.

And for sure, sometimes it is not. To see what your friends thought of this book, please sign up. Jun 30, Amanda rated it it was amazing Shelves: Juliana Spahr born is an American poet, critic, and editor. Press 53 August 7, reeponse Is there a necessity to obscure others? But as I understand it: There is, for sure, still a lot of work to be done to understand why literature can be anti-colonial at one moment and neo-colonial the next.

All Collaborative Review Video Review. Aug 01, Eric rated it it was amazing. I am always trying to be clear. Paperback97 pages. And sometimes poems do things —call for revolution or critique racism—but despite this close proximity, as I understand it, it is at best a part of the ecosystem of antagonism, not the actual antagonism.

It is about five printed pages long. He argues, and I am being deliberately reductive here but this is jupiana the book feels to me, for Silliman, Lyn Hejinian, Robert Grenier, Barrett Watten, he is respectful towards Rae Armantrout, Carla Harryman, and Howe more on the grounds of gender than anything else, and skeptical of Charles Bernstein and Bruce Andrews.

Meryl Reesponse rated it liked it Apr 13, But there are still moments where I have trouble sorting out who gets juilana okay and why, when I turn to textual matters.

W rated it it was amazing Feb 08, Do you see That Winter the Wolf Came as a kind of, and I say this as unpejoratively as possible, romanticizing of revolution? Interview with Juliana Spahr Or at best righteous. Shane rated it it was amazing Feb 27, In terms of writing… ugh.

A field of communication What is provocative about such moments is not that they elicit a transparent identification or understanding of the see-saw dialectics of other and self but rather that they work towards creating a field of communication. Creeping Cedar July 1, This is partially necessary because language writing is so diverse. In the last section characters exchange texts of I love you respnose cars burn.

As some thoughts Reeponse had about the now juliiana some things I wish I could see happen out of this now. Daniel rated it liked it Oct 14, One thing that the book The Marginalization of Poetry does is to begin to complicate this model and this is important work.

The party part is part of it, part of that ecosystem, and is worth valuing. I personally am really hesitant to dismiss anyone involved in anti-colonial struggles who says literature is a productive medium for countering the way that colonialism destroys cultures.

Or of course they do. The tone of That Winter the Wolf Came has moments of honest sloganeering— all art either with the crowd or with the police. Read, highlight, and take notes, across web, tablet, and phone. Lists with This Book. Preview — Response by Juliana Spahr. Most Related.

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