At this time, it was also the first since Oberto that the composer was beginning to prepare an opera with a librettist but without a commission of any kind from an opera house. In his first letter to Cammarano, Verdi proposed El Trovador as the subject with "two feminine roles. The first, the gypsy, a woman of unusual character after whom I want to name the opera. Within a matter of weeks, Verdi was expressing his frustration to a mutual friend, de Sanctis, at having no communication from Cammarano. He continued by asking whether the librettist liked the drama and emphasized that "the more unusual and bizarre the better". Verdi also writes that if there were no standard forms — "cavatinas, duets, trios, choruses, finales, etc.
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