AKG WMS 470 PDF

The vocal set consists of an HT handheld transmitter, an SR diversity receiver, and a D5 dynamic mic element capsule. AKG has aimed all along with the WMS series to thread the needle—to find the perfect compromise between a quality wireless system and simplicity in terms of operation. I presumed that this is what I would find with the new variant. Step by step I unboxed the handheld first and found the mic with its D5 element attached, the receiver, the antennae, the power supply, a battery, and a mic clip. I installed the battery and applied power into the receiver. The power cord connects with a screw-on type coaxial plug that prevents a loss of power due to the plug being yanked out.

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The vocal set consists of an HT handheld transmitter, an SR diversity receiver, and a D5 dynamic mic element capsule. AKG has aimed all along with the WMS series to thread the needle—to find the perfect compromise between a quality wireless system and simplicity in terms of operation. I presumed that this is what I would find with the new variant. Step by step I unboxed the handheld first and found the mic with its D5 element attached, the receiver, the antennae, the power supply, a battery, and a mic clip.

I installed the battery and applied power into the receiver. The power cord connects with a screw-on type coaxial plug that prevents a loss of power due to the plug being yanked out.

This is a big deal to me. I have wireless transmitters and receivers at my church that lose power for this reason all too frequently, requiring me to troubleshoot through the system and crawl around to get it reconnected.

I always like when manufacturers hear what their customers have to say, and incorporate the suggestions. I connected the antenna, and then the output to my mixer. Upon powering up both ends of the system, the receiver immediately started looking for available channels. Once it found the available channels, it locked on to the signal from the handheld. I then pointed the IR sensor toward the receiver at a distance of about four inches and pressed the input button.

The receiver programmed the transmitter via IR to its same frequency. Luckily the menu structure of this receiver is quite simple, with no complex menu-diving. The center of the display is focused on frequency, group number, channel, and menu navigation information. It also indicates which parameter is being adjusted during editing, and the mode of the system. There is a dedicated lock indicator, and display of available channels as well.

Transmitter notes The HT handheld transmitter is very simple and straightforward. It has an LCD display to indicate frequency and other programming-oriented information. Its dynamic capsule sounds very good, and since most performers are accustomed to using dynamic mics, the proximity effect of this mic is familiar to them. I had several people, male and female, do both spoken and sung vocals, and I was very pleased with the results.

Headworn and lav considerations I unboxed the presenter set and spent some time with the headworn CL and lavalier CK99L mics. Both sounded great—these are condenser mics in a cardioid pattern to provide a lot more gain-before-feedback than their omnidirectional counterparts would. These would typically be used by a pastor, and both work well in that role. All the dynamics processing in the world simply cannot compensate for this attenuation, so I prefer putting a headworn on my pastor. It also does not require a lot of monkeying around to get it adjusted properly.

Being condenser mics, and the CK99L even boosts the output deliberately above 10 kHz to give some of that air. Both the bodypack and the handheld transmitters are powered by AA batteries, including rechargeables, and AKG offers the CU charging stand, as well, so batteries can be charged right inside the mics without the need [to remove] them. In my mind, the pricing is surprisingly low, considering the quality and ease of use.

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